Photography by Dwight Primiano
The Knock Out
Boxing grew in popularity at the turn of the century, but some viewed the activity as a moral vice. New York State outlawed public contests in 1900. Prizefighting took to private venues such as Sharkey’s Athletic Club, where George Bellows witnessed matches. The Knock Out foregrounds the violence of the sport, as a referee struggles to hold back the victor from further beating his fallen opponent. Bellows also emphasized the intensity of the fans, surging forward and reveling in the escape from polite social conventions.
ArtistGeorge Wesley Bellows(1882-1925)
Date1907
MediumPastel, ink, and graphite on paper
Dimensions34 1/2 x 40 1/4 x 2 5/8 in.
Signedu.r., in white pastel: Bellows
Inscription(s)verso, on sheet: Geo Bellows / 1907 / Broadway / N.Y. / A Knock Out
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2010.82
ClassificationDrawing
Provenanceto Celia Tobin Clark [d. 1965], San Mateo, CA, 1916; A. S. W. Rosenbach [1876-1952], Philadelphia, PA; by bequest to The Philip H. and A.S.W. Rosenbach Foundation, Philadelphia, PA, 1952; (Davis & Long Company, New York, NY); purchased by Daniel Fraad [1912-1987] and Rita Fraad [1915-2004], 1976; to (Sotheby's, New York, NY), December 1, 2004, lot 13; purchased by a private foundation for Crystal Bridges Museum of American Art, Bentonville, AR, 2004
On ViewYes
This artwork's face covers about 190× the area of a tennis ball.Drawn to the same scale.