Photography by Dwight Primiano
Corn and Cantaloupe
Raphaelle Peale’s Corn and Cantaloupe contains both recognizable national symbols and personal associations for the artist. When the painting was first shown in Philadelphia in 1814, viewers would have recognized the prominently placed corn as a crop specific to the Americas and an icon of early American history and stories.
The array of vegetables and fruit in the painting were cultivated on farms and in hothouses near the artist’s family home. The cantaloupe, an Anne Arundel melon, was named after the Maryland County where Peale’s mother was born.
ArtistRaphaelle Peale(1774-1825)
Dateca. 1813
MediumOil on panel
Dimensions20 3/8 x 25 3/8 x 2 1/8 in.
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2007.223
ClassificationPainting
Provenanceto Dr. Benjamin Lee [1791-1863], Oak Hill, Prince George's County, MD; by descent to Eleanor Belt Lee (his wife), 1863; to Violetta Lee Harding [d. 1910] (her daughter), 1865; by bequest to Eleanora Belt (her sister), 1910; to Benjamin Lee Belt (her son), 1915; William Seton Belt [d. 1959] (his brother), 1935; to Estate of William Seton Belt, 1959; traded to Fredus Proctor, Shady Side, MD, 1959; (Robert Campbell's Auction, Annapolis, MD), early 1970s; purchased by Eric Young, Crownsville, MD, early 1970s; (Harris Auction Gallery, Baltimore, MD), June 14, 1987 (as Early Still Life on Panel); purchased by (John's Antiques, Baltimore, MD), 1987; to Private Collection, 1989; Private Collection; to (Christie's, New York, NY), November 29, 2007, sale 1911, lot 91; purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2007
On ViewYes
This artwork's face covers about 71× the area of a tennis ball.Drawn to the same scale.