Photography by Edward C. Robison III
The Great Nebula in Orion
Trouvelot felt that typical scientific methods of describing celestial objects and events lacked specificity. He advocated for trust in the human eye and hand, emphasizing the limits of photography.
He also found scientific observations lacking in sensitivity to color and form. According to Trouvelot, artists could see a greater variation in color than scientists did. Notice here how Trouvelot articulates the gradual diffusion of light, through a controlled softening of color.
French, 1827 - 1895
Date1881-1882
MediumChromolithograph
Dimensions27 1/4 x 37 1/4 in. (69.2 x 94.6 cm)
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2006.48.15
ClassificationPrint
Provenance(William Reese Collection of American Color Plate Books, New Haven, CT); purchased through (William Reese Company, New Haven, CT) by Crystal Bridges Museum of American Art, Bentonville, AR, 2006
On ViewNo
This artwork's face covers about 139× the area of a tennis ball.Drawn to the same scale.