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Photography by Edward C. Robison III

Sand Storm

A member of the Transcendental Painting Group founded in New Mexico in the 1930s, Agnes Pelton pursued spiritual and philosophical meanings through abstraction based in nature. According to its manifesto, the group aimed “to carry painting beyond the appearance of the physical world, through new concepts of space, color, light and design, to imaginative realms that are idealistic and spiritual.”

Pelton painted Sand Storm shortly after moving to the small desert town of Cathedral City, California. The rhythmic shapes of the painting suggest a mystical quality to nature, as experienced through an intense weather event.

ArtistaAgnes Pelton(1881-1961)
Fecha1932
MedioOil on canvas
Dimensiones37 3/4 x 29 3/4 x 2 1/2 in.
Firmadol.r.: Pelton 1932
Inscripción(es)verso: Sand Storm / Agnes Pelton / 1932
Línea de créditoCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2012.504
ClasificaciónPainting
ProcedenciaMr. Buell Hammett [1895-1945] and Mrs. Buell Hammett, Santa Barbara, CA, by 1943; (Martin Diamond Fine Arts, New York, NY); to Private Collection, by 1990; to (Hirschl & Adler Galleries, New York, NY); purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2012
En exhibición
Sand Storm37.8 × 29.8 in.Tennis Ball2.7 in. diameter

This artwork's face covers about 154× the area of a tennis ball.Drawn to the same scale.