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Photography by Dwight Primiano

Sacrifice

Sacrifice depicts four abstract figures in a fragmented composition. The central figure holds a knife at the throat of the character at the far right. Several art historical sources influenced Bearden’s image, including the Italian Baroque artist Caravaggio’s painting The Sacrifice of Isaac (1603) and Pablo Picasso’s Cubist masterwork Guernica (1937, Reina Sofia Museum, Madrid), a response to the atrocities of the Spanish Civil War.

For decades, Bearden was intermittently employed as a caseworker for the New York City Department of Social Services, a job that gave him insight into the struggles of the poor and disenfranchised. Sacrifice perhaps represents African Americans’ struggles with segregation, discrimination, and racial violence. In its collapse of space, overlapping forms, and blocks of bold color and pattern, the painting anticipated the collages for which the artist is best known today.

ArtistaRomare Bearden(1911-1988)
Fecha1941
MedioGouache and casein on paper
Dimensiones43 3/8 x 59 1/2 x 2 1/2 in.
Firmadou.r., in white paint: Romare Bearden
Línea de créditoCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2007.13
ClasificaciónPainting
ProcedenciaNanette Rohan Bearden [1927-1996], New York, NY (Artist's wife); to Estate of Nanette Rohan Bearden, 1996; (DC Moore Gallery, New York, NY); purchased by Crystal Bridges Museum of Art, Bentonville, AR, 2007
En exhibiciónNo
Sacrifice43.4 × 59.5 in.Standard/Movie Poster40 × 27 in.

This artwork's face covers about 2.4× the area of a standard movie poster.Drawn to the same scale.